![]() Plus their recurring series of Reckless graphic novels (very much in the Criminal vein of stories). ![]() He has been working with the great Sean Phillips for nearly twenty years now, from Vertigo's Scene of the Crime to the great Sleeper for Wildstorm (about a sleeper agent inside of a super-criminal organization who finds himself stuck when his handler is shot and no one else knows that he is undercover), to Criminal and Incognito for Icon, to Fatale, Fade-Out and Kill or Be Killed for Image. However, one of his keys to his greatness as a writer is that he can change speeds when he wants, and excel at both over-the-top action work as well as the slower, character-driven stuff (not that his Captain America run was not character-driven, as well, but any time that key plot points are a Cosmic Cube and a time travel gun, you know you're not exactly dealing with a fully grounded in reality comic book). ![]()
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